My First Experience with Canon T3i

Author: chalvaryseo

I'd acquired the Canon EOS Rebel T3i from online store 14 days ago. This specific Camera would be the upgraded from my last commonplace point-and-shoot. The Camera is splendid until now. I was very happy with the acquirement, trying to find forward to embracing better photography.

The Canon T3i is beneficial for people who with the first-time on DSLR. As a thoughtful beginner, I even have a lot of regarding this kind of Camera. As I am taught one characteristic, it's about the next intriguing one. Takes gorgeous photographs. Just last overnight, I used several excellent low-light potentials that were intriguing for a newbie like me, and will not have been do-able which has a standard point-and-shoot.

I adore the swivel on the located view when doing video clips that has been another reason to begin with this Camera over sought after types. You should use the dwell idea to take stills too, but I'm gaining knowledge of the hand characteristics as well as the viewfinder to acquire better at home with the Camera. Just an FYI, you will need an SDHC card with a Show 6 rating or even more to do video. You can find a 16GB card on Amazon for a reasonable price.

The supply lens looks like first-class we am understanding how to operate the Camera. I technique on enhancing the lens after I progress with it. Again, there are a few better ideals on Amazon for Canon lenses (just look 'Canon Lens' and you will definitely find the hottest deals).

In ending, I tried your entire adult life to investigate and decide whether or not moving into a DSLR seemed to be worth it usually. Having now made order, I envisage immediately it had been well worth the revenue. Especially to get a novice like I was, the T3i is a superb Camera.

So again, if you already have a dream to jump in the world of photography, you need not delay any longer. While you're still a beginner in this field, it does not matter. Canon T3i very easy to understand although it has features that are commonly used by professional photographers. If you are serious, better leave the model of point-and-shoot camera because the Canon Rebel camera t3i will give you a more challenging experience

Article Source: http://www.articlesbase.com/photography-articles/my-first-experience-with-canon-t3i-4524254.html

About the Author

I have got the info about Canon T3i from online searching. If you wish, you may do like what I have done.

The History of Photography

Digital Photography History

Author: MusarratAlthaf

Digital Photography has been the bridge between the nineteenth and twenty-first century. From his first steps back in 1839, photography has served as a living document for the history of mankind.

His documentary has been located in the center of visual communication, finding the land of germination, mainly in advertising, art and journalism. Today, after half a century of television, radio, Internet and new digital technologies have expanded the most of the experimentation and creative power.


Back in 1839 Joseph Nicephore Niepce succeeded, after an eight-hour exposure, capturing the first image that has recorded the history of digital photography. Thus was born the picture, the wonderful invention that combined two phenomena: the camera obscura, which would capture the reflection of the image, and the various physical and chemical experiments to fix the image.

The first images were the frames: silhouettes of leaves and insects, printed on a sheet of leather and fastened with phosphorus and silver salts. Then came the daguerreotype, a camera similar to the famous Polaroid, which greatly shortened the exposure time, but gave us a snapshot, in positive and that needed exposure for another copy.

The image in negative-positive system (as we knew it until the arrival of digital cameras) should his invention, William Henry Fox Talbot, who also in the year 1839, published what could be considered as the first publication devoted exclusively to photography : Some Account of the Art of Photogenic Drawing, a collection of photographic positive, using paper negatives.

What today is known as flash was a process that began with fine powders of magnesium, which when detonated with the spray, produced an effect of artificial light. Finally, in 1930 came the flash lamp.

In less than two years (1935-1936), appearing on the market and Agfacolor Kodachrome, which were achieved with transparencies or color slides. In the '40s perfected the daguerreotype and have the Polaroid Land.

And the 60's where all the advances are perfected: color, speed, lower prices of zinc, cadmium sulfide and titanium oxide with the use of film Itek RS.

Since those early years to today's reality, photography has appeared in countless areas, growing in the collective imagination and sociological reflection of our thinkers, the idea of society in the image.

The documentary nature of photography, that is, its ability to capture on film some important facts of reality, has become an indispensable tool for science, art, advertising and journalism.

In each field, and according to the look of each of the makers of history, photography has acted as the disseminator of certain ideologies and a significant agent firsthand.

Science has served to medical school (remember the X-ray, MRI, stethoscopic operations), studies of biology (nature photography, scuba diving), cartography, geology, exploration, military, archeology and forensic science (the popular black light) to name a few.

Photography has extended the human eye bringing it to the ranges of the infrared or ultraviolet, previously unsuspected. It also expanded the field of imagination to enable the development of film and photographic art.

Who has ever seen, with the fascination of those who look for the first time, those films of Charles Chaplin or rayograms of Man Ray?

In the realm of ideas, ie, advertising, design and journalism, has been the site par excellence, since during the second portion of the twentieth century is that we have your full swing.

First come to complement the print communication, putting in images what the text can not express. So we in the journalism ranks one of the most coveted: the photographer and / or war correspondent, this epic hero, that camera in hand, to capture the collective memory of the horrors of history.

So will names like Robert Capa, who immortalized the image of the Normandy landings in World War II, or a thousand photographers who form the staff of National Geographic, or Sebastian Salgado's lens, the portrait of American poverty.

So too will emerge the major news agencies and the development will or photojournalism photojournalism: it is the reality of journalistic practice that attempts by one or more photos to account for reality. Among the agencies and newspapers that they deserve a prominent place for their use of photography, to my taste are: El Pais, El Mundo and Photography has been and is a document of reality in constant motion. A reality that seeks its attention span of the viewer. Certain times higher quality than others, but always forward in the meaning of our world.


If before we talk of childhood and adolescence of photography, and after almost two centuries of existence, we have reached a remarkable maturity from the hand of internet and new technologies.

In the ancient analog film cameras (delusions of some inveterate collectors) have jumped on the digital image and spread globally in the network. Now the standards of quality and clarity are measured in megapixels and the reach of any magic is the Adobe Photoshop.

The big news agencies are raking in reading and visiting the "Picture of the day." Has also been opened and put into discussion the documentary nature of photography through the manipulation that allow the different image processing software.

Article Source: http://www.articlesbase.com/education-articles/digital-photography-history-4477060.html

About the Author

This article touched the basics of the topic. I have 2 more resources related to the above. They are digital cameras under 100 and photography props. Do consider reading them.

Factors to Consider When Choosing a Wedding Photographer

Author: John Stronack

Photography is an art and it takes a passionate and skilful photographer to fully capture the beauty of his/ her subject(s). Choose your wedding photographer after careful deliberation and with prudence. After all, how you will remember your wedding day will depend on your memories and the wedding photo album. Memories fade away, but pictures last forever.




Sourcing a Photographer



You can look for a photographer in your locality by examining various sources such as the Yellow Pages, billboards, newspapers, or the Web. Of course, the best option remains the 'word of mouth' recommendation. A friend/ relative who got married recently can give you an honest opinion and have a first-hand knowledge of the photographer's professionalism.



If they strongly recommend their photographer based on what he/ she did for their wedding, grab the opportunity to enquire further. However, restrain yourself from booking him or her until you have a look at his/ her portfolio! Beauty is subjective and for all you know, you may not agree with your friend's or relative's perception of "what is beautiful." It makes sense to decide based on your personal preferences.



Important Factors to Consider



You should choose a photographer based on his/ her technique and pricing.



Technique: A wedding may be captured using various techniques or styles such as traditional, formal, casual, or candid. A skilled photographer should include a variety of techniques in his offering. Choose someone who incorporates various styles in his/ her photography and adapts to every occasion and moment. He or she should take casual and candid pictures that are natural and spontaneous rather than make you 'pose' for every snap. Always choose a photographer based on his entire work, not selective work as shown in his/ her portfolio. His/ her portfolio will include only the best of his/ her work, which can be misleading.



Price: Are you wondering how much of your wedding budget you should allocate to the wedding photographer? The standard norm is to allot about 10-15% of your total wedding budget for the photographer, which can be anywhere from $500 to $10,000. You can get a basic package for a price of $1,500 or, if you have a small budget, you could try hiring a part-time photographer or a student photographer. Prior to finalizing the deal with the photographer, make sure to enquire about what is included in his/ her services.




After you have scrutinized the technique, style, versatility, and price the photographer offers, you can schedule a meeting with him/ her. Before the meeting, you should already have a good idea of what the photographer has to offer and the objective of the meeting should be mainly to validate your decision. Be yourself, try to strike a good rapport, and discuss your wedding details.



Photographer's Personality



It is vital for you to strike a good rapport in the initial meeting. If the photographer's personality or demeanour does not match yours (if there's no fit), he/ she will be unable to mingle with the guests or interact with them when taking pictures. Also, good results in the form of good pictures are possible only if you feel comfortable collaborating with the photographer.



Brief the Photographer About the Wedding



Once you have decided to hire the photographer, briefly outline the details of the wedding such as location, date, time, sequence of events, and other aspects that the photographer needs to know. This will give him/ her time to plan his/ her activities as well as come up with creative and innovative ideas or ways in which he/ she can present your wedding with elegance, grace, and charm.




We hope these tips will help you make the right decision in choosing the appropriate photographer. As years pass by, you will be able to show your children, friends, and relatives what a splendid wedding yours was and also bring back fond memories of the wedding to your partner. We cannot stop time, but it is possible to capture the most memorable moments of our lives for ETERNITY!

About the Author:
This article was submitted by eWeddingTalk.com, a wedding blog discussing wedding-related matters, including wedding favors & wedding gifts.

Article Source: http://www.articlesbase.com/marriage-articles/factors-to-consider-when-choosing-a-wedding-photographer-807505.html

Boudoir Photography

Author: Tony Mandarich

Just the mere mention of "boudoir" photography and you immediately get the vision of sensual, elegant photos that leave much to the viewer's imagination, and accomplishing the task of making him want more.



In the 1700's, the term "boudoir" referred to the dressing and bathing room of a woman, complete with romantic furniture, floral arrangements and beautiful fragrances; the boudoir was a place for women to pamper themselves and indulge in feminine luxuries. Today, boudoir, a term derived from a French verb, meaning, "to pout," has become one of the most popular forms of personal glamour photography.



Wardrobe:



Boudoir photography describes a style of romantic photography that implies nudity, without the subject actually being nude. The boudoir client is most typically wearing lingerie or sexy under garments, or could even be fully dressed, somewhat scantily. Some boudoir subjects are draped in a robe or soft, sometimes sheer wrap, just enough to silhouette her shapely figure. The most important thing to remember is that boudoir photography is not about nudity; it is more about sensuality and romance.



Pose:



To capture the interest and imagination of the viewer, the subject's pose is just as important as her wardrobe. This is where the experience and expertise of the photographer is demonstrated. In composing a boudoir photo shoot, the creativity and imagination of the photographer plays an important role in the success of the shoot. An experienced boudoir photographer knows lighting affects the shot, and can visualize the many different angles to shoot their subject, for the utmost sensual, and sexy shot. Another important fact to keep in mind is that in most instances, the boudoir client is not a professional model, so the photographer should have the uncanny ability to make the subject comfortable and at ease, while at the same time, making her feel sexy and sensual.



The Set:



Most boudoir sets are staged with natural and soft lights and resemble a romantic, sometimes Victorian-styled bedroom. A beautiful set, with soft colors and lighting helps the subject to relax. Creating a "dreamy" atmosphere helps the subject feel more sensual and beautiful, which ensures the success of the photo shoot. Music is also a powerful tool in making a subject more comfortable in their surroundings. If you chose to have music playing in the background, pick something that is soothing and romantic, possibly classical music. This will subconsciously help the subject relax and be more at ease with the photo shoot.



The premises of boudoir photography are love, affection, romance, and giving. Female Boudoir Photography is almost always done tastefully and using classy props to enhance the feeling of romance and richness; it is a collaboration between the subject and the photographer, and the more prepared both are, the more your subject will be able to enjoy her day of romance.



Boudoir studio shoots makes a great sexy gift for someone you are romantically involved with. Many women, perhaps trying to rekindle the romance, get boudoir photos as a gift for their lovers. Others just want to give a fun and sexy present, either for birthday or anniversary.

About the Author:
Tony Mandarich, along with his wife Char, own and operate Mandarich Models , the edgy, dynamic glamour division of Mandarich Photography, specializing in boudoir photography.

Article Source: http://www.articlesbase.com/art-and-entertainment-articles/boudoir-photography-779314.html

Getting Started in Stock Photography: Choosing Your Equipment

Author: John M. Lund

Let’s say you have made the commitment to join the world of stock photography, you have an excuse, and a valid one, to go out and buy some photography gear. What I will share with you here is not necessarily the perfect answer as what to get, but what does work for me. I can give you some guidelines, and tips, but in every case you will need to take into consideration your own situation, what and how you will be shooting, what your budget constraints are and a host of other personal considerations.

Let’s start with cameras. I have a fair number of would-be professionals ask me what cameras they should buy…and most of the time they end up putting price ahead of quality. That is a mistake. If you want to shoot professionally, and to compete with all of the others who are doing so, buy a professional caliber camera that meets the image quality requirements of the big agencies. To fail to do so will be putting you at a significant disadvantage.

You can’t go wrong with the high-end cameras from Canon and Nikon. The models and specs keep changing and improving, but if you go with one of their professional level models you well have spent your money wisely. I, at the time of this writing, am shooting with a Canon 1ds MKII, a Canon 1ds MKIII, and a Canon 5d MKII. If I were starting out today I would buy the Canon 5d MKII.

To determine which camera is best for you, you should go to a camera store and hold the top models, see how they feel and get an idea of what would be most comfortable for you. If you shoot sports you will probably want a different model than if you shoot still life. If you shoot in low light levels you might want a different model than if you shoot primarily in bright light. That is why you must do your research. BTW, the newest Canons and Nikons have truly remarkable low light performance that represent a sea change in photography.

Your lenses are your next choice. I could probably do all my stock photography with the Canon 24-105 IS L series lens. That being said, I also find useful, pretty much in this sequence, the Canon 100-400 IS zoom L Series, the 16-35 Zoom, 70-200 f2.8 and a f2 135mm. Buying Canon or Nikon lenses over third party lenses, in my experience, give you a bit more sharpness and a lot more ruggedness. If you are on a budget, start with a lens in that 24-105 range, and use that until you find that you are consistently in need of something more.

It is my firm belief that if you are competing in the serious world of stock photography you will need some form of lighting equipment. Even when there is plenty of light, say at 4:00pm on a sunny day at the beach, you can create images with more impact, and that will sell better, if you add additional lighting.

It may be as simple as a reflector, or might involve strobes. Recently I found myself back pedaling through the edge of the surf at the beach, shooting away at a model running towards me, while an assistant back pedaled alongside me holding a power pack in one hand and a strobe head in the other. The added highlight from the flash provides that little extra something that sets that photograph apart from the countless other competing images. My experience has consistently been that used intelligently, supplemental lighting invariably produces a better image than I can obtain without. Even when shooting Padueng Tribal Women in remote regions of Myanmar (the ones with the “rings” around their necks) having an on camera flash to add a little pop in the dark confines of their huts made a huge difference.

Every stock shooter needs at least one reflector, and a collapsible 32” reflector with white on one side and gold on the other is a versatile workhorse that is large enough to handle a torso-sized subject and small enough to fit in your backpack. Get one of those. Personally, that one size has been invaluable for me and I always have one available when I am shooting.

As far as flash units go, over the years I have used Elinchrome, Balcar, Speedotron and Profoto. They have all worked well for me. At this point I am using Profoto 7bs. Each pack can handle two heads with a total of 1200-watt seconds and have removable batteries, which can handle of 200 full power flashes.

I am totally happy with these units. I have taken them with me to Buenos Aires, Bangkok, Mexico and India. Again, though, do your own research. Check the forums, read the reviews, even better, rent some units and try them out. You will need to take into consideration the flexibility of the units, the weight and size, the power output, whether they are battery operated or not, and all the various features the different units offer.

If you do end up using studio (and location) power packs I highly recommend radio triggers or “slaves”. I use Pocket Wizards, but there are a number of brands and my lack of experience with other brands should not prevent you from checking the other ones out. Once you go wireless, you can’t go back.

While I mostly rely on my “studio” power packs for my produced shoots, in certain situations on camera flashes play an important role for me. On my last trip to India to shoot stock photos I wanted to travel light, and relied on the Canon 580 EX unit supplemented with a Quantum Turbo SC battery.

At one point we even had two photographers sharing the Quantum at the same time (it has two power outlets). It was a great decision for the kind of photography and style of trip I had planned.

On occasion I have used hot lights too. I own a pair of Lowel Tota Lights for the rare instances when I need continuous light. They are very portable and with a 1000-watt bulb put out a good amount of light (and a lot of heat too). Don’t plug them in to a 220-volt source though; then they become flash units capable of only one flash, as I found out in a moment of inattention while shooting in Argentina.

The coming thing, however, might just be continuous fluorescent Lighting. Google that term and you will find plenty of information on it. The light is beautiful, but in the past when I have tried them I have found the low output a little limiting. Now, however, with the new increased ISO speeds possible with the latest Canon and Nikon cameras, and possible advances with the lighting units themselves, they may be a great option for you. Try them. My advice is to try everything and find out what best meshes with your style of shooting and the look you are after.

I firmly believe in having the right tool for the job. If you don’t or can’t own, rent. But trying to skimp when you have the success of a shoot in the balance is false economy.

Get the basics then start shooting and learning. With the instant feedback of digital cameras you can make adjustments after each exposure until you get it right. So what are you waiting for? Go shoot!

About the Author:

Stock Photos of cute puppies, cats, cows, elephants happy people, ethnic people etc.: People & Lifestyle Stock Photos Animal stock photos, Fine Art Prints, and printed gift merchandise.



Stock Photography: Professional Techniques And Images

Selling Stock Photos – How to get startedSelling Stock Photos Animal stock photos, Fine Art Prints, and printed gift merchandise.

Article Source: http://www.articlesbase.com/digital-photography-articles/getting-started-in-stock-photography-choosing-your-equipment-750009.html

3 Things I thought I knew about photo marketing and becoming a professional photographer - WRONG!

Back when I first decided to become a professional photographer and get involved with photo marketing on a full time basis, I thought - foolishly - that all I had to do was practice and study all the latest techniques for creating stunning images! Then, once I learned to consistently do brilliant work, my career as a professional photographer would be more or less cast in stone.

Boy was I wrong! If you want to earn great money in photo marketing (I've lost count of how many 00 days I've had) by becoming a professional photographer and working in the career of your dreams - here are 3 vital things you NEED to know. BTW - you can and should start part time!

First, let me establish a few assumptions on my part. I assume you are interested in photography and that you have dreamed about working in a career that you love.

I also assume that you are either considering/dreaming about becoming a professional photographer or possibly have already tried your hand at photo marketing - at least part time.

Note: I didn't assume you are a brilliant photographer. That was the first huge hurdle I faced when I wanted to start my photo marketing career. I just wasn't that good. I was and still am competent, but I don't see myself ever winning any major creative awards.

I'd shoot and shoot. Remember - this was in the olden days of film, when every shot cost about a dollar after considering time, film, developing and printing costs. No matter how much money I pumped into my "hobby", no matter how many credit cards I maxed out buying the latest and greatest, I just couldn't measure up to the photos I was seeing in all the photo books and magazines.

My dreams of a career as a professional photographer seemed totally out of reach.

Wrong. That's myth #1. You don't need to be Ansel Adams! Just competent!

I don't remember where, but somewhere I stumbled across someone who said, "There's room in professional photography for every skill level."

That sentence changed my life. I'd buy the originator of that little snippet of gold a beer, if I could remember who it was.

For some reason, it really hit home and I decided to give photo marketing a try. Bottom line…I found out that 90% of all your photo shoots are going to be the same types of subjects, lit and posed the same basic ways.

Don't get me wrong, every session you do should be your absolute best work, but save the creative stuff for contests - not day to day photo marketing. (Actually, if you are too creative, your sales will drop. The clients expect traditional portraits and don't like it if you deviate very far from their expectations.)

My second major hurdle to getting started as a professional photographer was getting the money to open a studio. After all, rent is fairly expensive and when you add in decorating the space, signage, hiring a receptionist, utilities and all the other doodads involved in opening a physical studio - it can all be rather daunting. Particularly when you've never done any photo marketing and this dream of becoming a professional photographer is getting more and more expensive by the minute.

Before I launched my photo marketing career, I did a little research and discovered that the best professional photographers do a lot - if not most - of their work "on location"! In other words, they aren't even using the studio! Plus, their customers were so happy the photographer was coming to them, they were willing to pay extra!

So I said to myself, "I can pay a ton of money for a studio I won't be using, or simply do everything 'on location' and get even higher fees! Hmmm…what should I do?"

I've been a professional photographer for over 16 years, have over 6000 past clients and have NEVER opened a studio.

Myth #2 - You need a fancy studio to be a professional photographer. WRONG.

Myth #3 - As a professional photographer, once people see your stunning images they will flock to you with checkbook in hand! WRONG, WRONG, WRONG.

Sorry to say it but your images have little to do with your success as a photographer. It's all about your marketing. Once you get your marketing right, people actually will be clamoring for your services, but not before - no matter how good you are.

In fact, many of my best promotions get new customers lining up to be photographed without ever having seen any of my work at all! So, if photo marketing and living your life as a professional photographer sounds even a little intriguing, respond by enrolling in my Part Time Photography newsletter. You'll get a free ebook and daily tips on how you can turn your dreams into cash.


About The Author-- Dan Eitreim has worked as a professional photographer for 17+ years. With over 6000 past customers he has the experience and knowledge to teach YOU how to succeed in photography. Getting started making money in photography is fun, quick and easy. You can start full or part time and be making money THIS WEEK! So, to get your free copy of the e-book "How To Make 0 per Week With Your Digital Camera" go to: http://www.PartTimePhotography.com

Article Source: Articles island - Free article submission and free reprint articles

How to Make Money with Adobe Photoshop

You probably already know that Adobe Photoshop is great for making your digital and online pictures look more professional. But do you know how to make money with photoshop? Learn how to use photoshop to make a profit.

Any photoshop tutorial will tell you how to edit your images, how to add attractive framing and borders, and how

to work with layers and masks to give your images that perfect professional look. What standard tutorials don’t tell you is that you can actually use photoshop to generate some personal income. How to make money with photoshop is one of the best-kept secrets that adobe photoshop tutorials won’t teach you.


Have you ever heard of a photoshop freelancer? Once you hear about freelancing with photoshop once, you’ll start to notice references and resources for photoshop freelancers all over the web. Not mentioned in photoshop tips and tutorials, many photoshop freelancers have learned how to make money with photoshop – and now you can, too.

Graphic design is one of the hottest new trends in the online market. As web site competition heats up, everyone is looking for their own personalized graphics and logos for web pages, and this is how photoshop freelancers make their money. Because there is a huge demand for unique, stylized graphics and logos, adobe photoshop has suddenly become a viable money-making tool for those interested in doing a little freelancing. Logo design is very much in need by corporations and companies looking to personalize their web pages and set themselves apart from other businesses and web sites. Graphics that look great online are very much in need, and photoshop is the perfect tool for create logos that businesses will love.

A photoshop freelancer can find plenty of work on the web, where very few people know the ins and outs of graphic design. Even those who know how to use photoshop often don’t know how to use photoshop to its full potential despite the amount of tutorials they may take. Someone who can create unique logos and images using photoshop can find a new career path open to them by using their skills to become a photoshop freelancer. This can be a highly lucrative choice in today’s highly modernized world, where so much is happening in the online world. Adobe photoshop is not only great for improving your digital images, but can also open a new door in your freelancing career. Graphic designers, and those who know how to use photoshop well, are always highly in demand.

It’s an aspect of using photoshop that tutorials won’t teach you, no matter how many adobe photoshop tutorials you may take. But now that you’ve heard about freelancing with photoshop, you’ll find much more information on the Internet than you ever knew existed about this exciting career path. Photoshop, an easy software package to use, can turn anyone into a photoshop freelancer and experienced graphic designer. Though it may not be mentioned in photoshop tips, it is one aspect of adobe photoshop that some freelancers have learned to use to the fullest advantage.

It doesn’t end with logo design, either. Photoshop freelancers may be called upon to polish web site images or pictures taken by digital camera. Many businesses


like to post real pictures on their web sites, and the services of a photoshop freelancer can be used to make those pictures look great. The skills of a photoshop freelancer are needed all over the web, and you’ll find many opportunities to put your photoshop skills to good use.

Freelancing can be your key to self employment, and you’ll find that you can turn a quick profit by doing a little photoshop freelancing. When your skills can be used by many businesses and web sites on the Internet, why not share your knowledge and benefit a little from your photoshop expertise? Working for yourself can be a very enjoyable and financially beneficial experience, and all you need is a working knowledge of adobe photoshop to get your foot in the door of this career path.

You’ll find many resources for photoshop freelancers on the web. Everything from adobe photoshop tutorials and tips, to discussion pages, chat rooms, and forums are available to help you perfect your photoshop skills.